String Energy
When using a tapping, or touch, guitar-based technique, I'm learning that a successful technique, or more specifically, a successful technique for me, has to do with string energy. You don't have to consider this as much, if at all, when using a traditional approach that involves a plectrum, or "pick." The pick transfers the energy from your right hand and right wrist directly into the string. The pick becomes a tool of energy transferal. When using a touch or tap approach, you don't have that intercedent. You're directly putting the raw energy into the string with your fingers.
I've been using the tap approach for a few years now, and my technique for this is constantly evolving. As I learn about energy transferal or energy transmission directly into the strings, I'm forced to consider how much energy is appropriate for what I want to achieve. This has layers of meaning, but for now, I'll break it out into two areas: single-string attacks, and multi-string attacks for tapping chords or harmonic structures.
Single-string attacks: Lot of energy, especially in legato playing. Counter-intuitive.
Multi-string attacks: While you may not hear or be aware of a single-string attack, you will hear and be aware of it in a multi-string attack. When tapping chords, you're usually simultaneously tapping between two and five strings. On my double- and triple-course instruments, that number immediately changes from two to five to four to twelve. That's a lot of simultaneous attacks. This results in added transients and percussiveness.
Less energy is required than in single-string work. Also counter-intuitive.
Of course, if a more percussive attack is desired, that's easy to do. I find that at times, staying with a more percussive attack can tend to intensify or propel the momentum forward. Like other areas of technique, using or not using a percussive approach is just one more tool; one more paint color in the palette.
I suspect this is an area of technique wherein I'll be constantly learning. That's exciting. Also challenging.
More to come.
-kk



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